The clip and lever on this pen are also solid sterling silver: As did other penmakers, Waterman offered pens with gold overlays in two forms, either solid gold or gold filled (rolled gold). The following table shows the colors in which I believe Waterman’s No 7 to have appeared. Refusal to follow the obvious trend hurt Waterman, and it was in part responsible for the U.S. company’s demise in the 1950s. The No 7, called the Number Seven in early advertising, was not really a new pen. There are certain models of Waterman from this era that are notorious for fragile/brittle plastic, and pens can easily crack when removing the section. They're additionally manufactured from wood, but are stained without natural lumber: Additionally, there's a Rose Wood pen, but this is just a factory model and do not joined basic manufacturing. Once having made the leap and discovered that the No 7 hadn’t fallen off along the way, Waterman went ahead and treated the pen to new and exciting colors. Same tubular squared profile (but smaller and significantly thinner), two cap rings, two end rings, and comparable other trim. Expert. Press question mark to learn the rest of the keyboard shortcuts, http://marcuslink.com/pens/companies/waterman.html. But one model stands out among its siblings as perhaps the most popular Waterman: the Ideal No 52. In 1924, Sheaffer had followed the lead of LeBoeuf, a small New England company that had begun selling celluloid pens four years earlier, and transitioned its production from hard rubber to celluloid. The information in this article is as accurate as possible, but you should not take it as absolutely authoritative or complete. Watermark theme. It was actually a No 55 body fitted with a slightly larger nib that featured a remarkably attractive keyhole-shaped breather hole. Distinguishing qualities: tubular form, 1-2 cap rings, 2 end bands, washer video, a band from the area, and gold plate at the conclusion of the section in which the nib is inserted. By that time, however, Waterman had developed the Ink-Vue filler together with a line of pens that used it and bore the same name. No longer was there the need to guess at point styles by eye; the color system made it almost a science. One I found useful was: http://dirck.delint.ca/beta/?page_id=630. In the newly ordered system, the units digit (2) meant that the pen carried a No 2 nib (as before), and the tens digit (5) identified a lever filler. The No 7 ( below, lower) had changed in size again; the tale of the tape now read about 5frac(1,8);" capped and 6frac(15,16);" posted. The pen below, a Waterman’s Ideal No 01852frac(1,2);V, is made of red hard rubber. I have been searching countless websites trying to ID this pen on my own. /r/fountainpens - A community for fountain pen enthusiasts, from the novice to the collector. If you have both, it is easy to tell them apart centered on size; if you don't, know that the guy 100 features a finned feed even though the Man 200 has actually a-flat feed. Imprinted on every pen L. E. Waterman produced from the 1880s into the middle of the 20th century, these words identify one of the most popular and collectible brands in history. The No 5 offered only five nib styles, not as many as were available for the No 7, but it had a little eye-catching feature of its own in the form of a slightly flared cap crown. I am aware with a minimum of the next finishes (silver trim unless otherwise specified): Just what do a graphic designer, a teacher…, Smooth flowing and great weighting Great…. Second-generation pens were the same as the first generation except that the later version had gained a pair of narrow white bands outlining the cap’s color band, which could otherwise be difficult to see (as illustrated by the band on the Purple pen near the beginning of this article), especially in poor light. The barrel-end color disk disappeared in this generation. The pattern shown here, which collectors know as “Bamboo” although Waterman called it simply “Filigree,” is the later design. But most seem to concentrate on the “Ripple” pens, collecting as nearly full a set of nib colors as possible. ... Waterman began shipping N o 7 pens fitted with nibs bearing the number 7 below the WATERMAN’S IDEAL imprint instead of color names above it. Here is an Emerald-Ray No 7 with a Brown nib, a quite uncommon pen today: The No 5 was not produced in the Ray colors; its last incarnation before being removed from the catalog was the Jet version with the barrel-end colored disk. Etoile Limited Edition (1993): it is a silver engraved (structure resembles fougere) pen with matching satin sterling area. Note that an entirely different numbering system was adopted in the 1940s for British-made Watermans, and that while US-made pens with overlays intended for export usually had a barrel-end imprint If you have additions or corrections to this page, please consider sharing them with us to improve the accuracy of our information. I really believe it was stopped around 2000, aside from the platinum versions, which lasted at least through a 2001 Waterman dealer catalog that i've (i've additionally heard from J.M. This is not a matter of using different patterns on pens of different sizes; Waterman changed its design in 1923, and each of the known patterns exists on pens of various sizes. Here’s one of the first ads to feature the “Makes Its Mark All Around The World” logo, in New England Stationer, January 1903, p.1, and here’s one of the first ads to feature the “Waterman’s [Ideal-in-a-globe image] Fountain Pen” ad line, in Geyer’s Stationer, Jan 19, 1905, p.7, and later used as an imprint on their pens, in Geyer’s Stationer, Mar 3o, 1905, p.11, and Apr 13, 1905, p.64. with no digits in the hundreds or thousands place, such designations did appear in catalog listings. Allure. The two trademarks for the “Ideal baseball” logo weren’t issued till 1908, and were said to be first used on Sept 1, 1904, Maybe we should start looking sometime in the late 1890s for ads that might incorporate, , with accompanying crop failures and food shortages and local famines around the world. The sections could be matching or black colored, with all the gold part being the sooner one. Opera: a standard scalloped chased design. A zero (0) prefix indicated that the trim is gold filled rather than solid. I can tell it has been well used over the years, it was difficult for me to even find the waterman name on the barrel, but when I did, I was over the moon. (Although attempts have been made to pass off faked White nibs, no authenticated example is known to exist, so that a complete color collection comprises nine nibs.) One of the factors that led to the eventual demise of the original L. E. Waterman Company was its reluctance to abandon the manufacture of hard rubber pens in the late 1920s. Sterling Silver Limited Edition (1985): I'm not sure a great deal besides a moving mention of the the reality that 5000 had been made. It also has nickel-plated furniture instead of the gold-filled parts that graced earlier RRHR pens. They weren’t actually new models, but they were made of rippled hard rubber, a pattern that was exclusive to Waterman during the Golden Age. But best of all is the endorsement from W. L. Alden. As with the 0652 above, the hundreds digit and the zero prefix of the model number describe the overlay’s style and composition: There are myriad variations of the 52. That Information here: http://marcuslink.com/pens/companies/waterman.html. When he first began selling his pens in a cigar shop at 136 Fulton Street in New York, Waterman routinely sold out of his supply of 36 pens, all he could make in a week. I purchased it for $35, took it home and cleaned it up. Has anyone any idea on what model is this, please? Made of 1985-1987 and quite a bit rarer versus typical fluted sterling variation. All rights reserved. Waterman relocated the color identifier, morphing it into a circular disk set into the back end of the barrel (at right, a Yellow color disk). 52. They were discontinued around 1996/1997 but stayed in the supply sequence for a couple years more. 412 adorned a well-balanced barrel and an efficient ink-feed system joined to a responsive solid-gold nib. Waterman Pen Company was the gold standard for fountain pens until World War II, when its popularity waned. But while bright colors led the way for other models, the No 7 came in dramatic… Jet (black). The one thing I'll note, before the photos arrive, is that you are going to have to be quite careful if you decided to do the sac restoration yourself. The Rhapsody Marble finishes tend to be a color/black swirled marble finish. Because the No 7 was at that time available only as a lever filler, it had no reason to be offered in the Ray version of Jet. Features 18k 2-tone nib, in 2 alternatives (perfect and world). So, my pen is most likely pre-1954.(? I will try to take some photos of the actual pen in the next couple days. Each nib was imprinted with its color name, as illustrated by the Blue nib to the left. In 1923, the company began producing mottled pens with a red/black pattern designed to resemble the grain of a piece of wood (and called “woodgrain” by collectors today). An early 52 (01852) with a, This 1920s Waterman ad­ver­tise­ment shows a N. The basic system is easily learned, and runs as follows: The size of the nib (and hence, the pen) is the number in the units place. For example, the system assigned Red to the most commonly used style, a medium-point, medium-length, semiflexible nib. Waterman’s pen without Ideal globe trademark, [Posted on L&P on Dec 21, 2005, and Apr 24, 2012. I guess I should have surmised that it was more than just a design element in the ad. (Waterman’s later retrospective literature incorrectly dates the “Ripple” introduction to 1923.) These are generally: The Harlequin is dramatically more difficult locate versus Opera, at least in the us. This is a Jet No 7 pen with a Red nib: The No 94 also appeared at this time in Jet with barrel-end colored disks. As well the end of the barrels were not the same - mine is hemispherical and the stalwart and dauntless didn't seem to match, and the 502 doesn't seem as rounded as my gem.

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