the yellow wallpaper secondary sources
The question of the narrator’s fate still remains. An excellent biography of Gilman shows clearly the parallel between Gilman's own experiences and those of "The Yellow Wallpaper's" protagonist ("To Herland and Beyond", by Ann J. Updates? In “The Yellow Wallpaper,” the protagonist, who is suffering from depression, observes: “I believe that congenial work, with excitement and change, would do me good” (Gilman, “The Yellow Wallpaper,” p. 152). “‘The Yellow Wallpaper.’” Charlotte Perkins Gilman. As Gary Scharnhorst points out, this treatment originated with Dr. Weir Mitchell, who personally prescribed this “cure” to Gilman herself. Knoxville: U of Tennessee P, 1991. She first notices a different colored sub-pattern of a figure beneath the “front design.” This figure is eventually seen as a woman who “creeps” and shakes the outer pattern, now seen to the narrator as bars. “The Ghostly Double behind the Wallpaper in Charlotte Perkins Gilman’s ‘The Yellow Wallpaper.’”, Haunting the House of Fiction. In the story, the pregnant woman had requested that the wallpaper be changed in her room. Enter your email address below and we will send you the reset instructions, If the address matches an existing account you will receive an email with instructions to reset your password, Enter your email address below and we will send you your username, If the address matches an existing account you will receive an email with instructions to retrieve your username. Gilman worked tirelessly as a lecturer and writer for the rest of her life, which she ended by her own hand in 1935, 2 years after being diagnosed with breast cancer. Studies in Short Fiction 31.1 (1994): 39-45. everywhere”(427), phrases suggestive to John Bak of a panopticon, an “alternative” prison developed by Jeremy Bentham in the nineteenth century to replace the dank English prison of the time (39). 2, September 1, 2012, Studies in American Fiction, Vol. He is the narrator’s necessary counterpart, without whose stifling influence her eventual freedom would not be gained. Philadelphia, University of Pennsylvania Press, 1950Google Scholar, 3. By reading “The Yellow Wallpaper” in this light, we can view the story as an interaction between the protagonist and her “shadow self” (King and Morris 29). Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. The story is told by means of a journal which the narrator secretly keeps against the orders of her physician-husband, who believes this intellectual effort is contributing to his wife-patient's nervous condition. At first she sees “bulbous eyes” and “absurd unblinking eyes . Or is she exhibiting the only sane response to an insane world order? Johnson goes on to suggest that the narrator’s madness may in fact be temporary, as the author’s own breakdown was in real life. It seems significant, therefore, that the narrator’s madness is expressed through the chiefly feminine symbol of wallpaper. A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Modern women, by reading such texts, can gain a new perspective on our present situation. In 1891, Mitchell’s famous cure became infamous, at least among literary circles in the United States. As we read the story, the narrator “reads” the wallpaper, and she sees in it her own “suppressed self” (King and Morris 32). What of the narrator herself and her madness? Please read the entire Privacy Policy and Terms of Use. Lane, Meridian, Penguin, New York, 1991). The Yellow Wallpaper, short story by Charlotte Perkins Gilman, published in New England Magazine in May 1892 and in book form in 1899. Modern women, by reading such texts, can gain a new perspective on our present situation. An interesting way to view her actions is, in the words of Greg Johnson, as “an expression of long-suppressed rage”(522). In fact, it is significant that the entire story revolves around wallpaper, which would be considered by many to be merely feminine frivolity. The Yellow Wallpaper study guide contains a biography of Charlotte Perkins Gilman, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis. For almost a century and a half, America was merely a group of colonies scattered…. These papers were written primarily by students and provide critical analysis of The Yellow Wallpaper. The story received little notice at the time, but launched Gilman on a literary career. He even threatens her with being sent to Weir Mitchell. Mitchell SW: Fat and Blood: And How to Make Them, 2nd ed. “The Yellow Wallpaper” comes from Gilman’s own struggle with a “nervous disorder,” a depression for which she was treated by a physician named S. Weir Mitchell. He is instead the natural complement to the narrator’s madness and uncontrolled fancy: the character of John is control and “sanity” as defined by Victorian culture and is therefore the narrator’s opposite. There is also the interesting connection between the mad narrator of “The Yellow Wallpaper” and the character of Bertha Mason, the madwoman in the attic in Charlotte Bronte’s Jane Eyre. The Yellow Wallpaper literature essays are academic essays for citation. Early readers were appreciative of the sheer horror of the tale, and, indeed, it still stands as a wonderful example of the genre. In The Yellow Wallpaper by Charlotte Perkins Gilman, the author, speaking in the first person, describes the rapid descent of a woman into madness. The painting shows two women sitting at a table in the corner of an enclosed room, languidly looking at a book on the table. 6th ed. She was in fact driven to near madness and later claimed to have written “The Yellow Wallpaper” to protest this treatment of women like herself, and specifically to address Dr. Weir Mitchell with a “propaganda piece.” A copy of the story was actually sent to Mitchell, and although he never replied to Gilman personally, he is said to have confessed to a friend that he had changed his treatment of hysterics after reading the story (15-19). 2, September 1, 2012 We can also learn to avoid past pitfalls. Greg Johnson notes that John exhibits a near-obsession with “reason,” even as his wife grows mad. New York: Harper Collins, 1995. Gilman CP: “The Yellow Wallpaper” and Other Stories. 1. About The Yellow Wallpaper Boston: Twayne, 1985. It is difficult to discuss the meaning in this story without first examining the author’s own personal experience. 5, No. 5, No. This seems by far the simplest and most reasonable explanation, but this brief statement has produced some wild theories ranging in scope from a misprint of the name “Jennie” or “Julia” to a deliberate connection to Jane Eyre by Charlotte Bronte (Owens 76-77). The yellow wallpaper is the metaphorical passageway between her reality and insanity, and in… The room is papered in horrible yellow wallpaper, the design of which “commit[s] every artistic sin”(426). However, as king and Morris add, it may simply be an expression of the narrator’s “self-suppression,” a suppression carried to the point of regression: the narrator ends the story sleeping most of the day and creeping around a nursery room like an infant (30). She obsesses about the yellow wallpaper, in which she sees frightful patterns and an imprisoned female figure trying to emerge. Mrs. Stetson, whom today we know as Charlotte Perkins Gilman , by then separated from her husband, published a short story in New England Magazine called “The Yellow Wallpaper” (4) . The yellow wallpaper can represent many ideas and conditions, among them, the sense of entrapment, the Bak goes on to suggest that the nursery room, with its barred windows and rings in the wall, was designed for the restraint of mental patients, but other critics assert that these were in fact common safety precautions used in Victorian nurseries and that such interpretations are extreme. AND, OR, NOT, “ ”, ( ), We use cookies to deliver a better user experience and to show you ads based on your interests. In this statement the narrator says, “‘I’ve got out at last,’ said I, ‘in spite of you and Jane’”(436); this statement allows for many different interpretations—some of which change the entire nature of the story, or at least the very ending. “But I don’t want to go there at all. Not affiliated with Harvard College. With that in mind, we will assume for convenience sake that the name Jane does in fact refer to the narrator herself. Does she find doom in her madness? It is true that the husband’s language is exaggerated at times, but dismissing the husband’s character as caricature seems extreme. By reading of and understanding the madness in “The Yellow Wallpaper,” we can perhaps prevent such psychic horrors in the future. Many of the passages concerning the husband can be interpreted as containing sarcasm, a great many contain irony, and several border on parody (Johnson 528). When denied the change by her husband, the woman secretly arranged the re-papering herself, her “only recorded act of wifely defiance”(521). The plan was simple but drastic: “renewing the vitality of feeble people by a combination of entire rest and of excessive feeding” ( 1 , p. 9). The interpretations of this feature are variations on a theme, ranging from an image of the narrator’s “static sexuality” (Scharnhorst 19) to “a sexual crucifixion” (Johnson 526). Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... American literature, the body of written works produced in the English language in the United States. However, as both Johnson and King and Morris point out, it is this response which grants her freedom in the end. “On Not Reading between the Lines: Models of Reading in ‘The Yellow Wallpaper.’”. The narrator is presented as an artist (at least in a small way) and a writer and it is through her writing, Johnson says, that her suppressed rage becomes apparent (522).

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